Fulfilling a Lifetime Ambition
On New Year's Eve 1991 it first happened. The BBC showed her live in concert and, despite the harsh editing, I was mesmerised. The concert was Blond Ambition, and the artist was Madonna.
I think it was the professionalism of it that had me hooked. It was slick but not soul-less. The dance steps amazed me - so much so that I spent the next few weeks learning them all (I could probably still remember most of them!) I did the same with The Girlie Show, a concert that once again pushed boundaries, both Madonna's and the world's. Again it was utterly professional, but still maintained an edge of being live and connecting with the audience.
Since then I've bought all of Madonna's music. Most of it I've loved, some of it has challenged me. That's what I love about her, she's not afraid to make people think. The album American Life is musically very unusual and uncommercial - it wasn't ever likely to be a huge commercial success but it didn't stop her from releasing it. I prefer her more recent stuff, lyrically it's much more personal. The latest Confessions on a Dancefloor is a great example of how you can create music that makes people dance AND think at the same time. Not many people would have the guts to do that.
I reckon she's enjoying playing live more and more, and that's why she's on her third tour in years. I've missed the last two, but not this one. On Sunday I'm going to the Millennium Stadium in Cardiff for the first date of her European tour. I've got an unreserved standing ticket, which means I might start queuing on Saturday night to get a decent view! If I can put the experience into words I'll be back with a full review next week!